top of page

Geoff Tate w/ XIII Doors & James Keegan @ The Brook, Southampton - 31/05/26

  • Writer: Charis Lydia Bagioki
    Charis Lydia Bagioki
  • Jun 2
  • 3 min read
Photos by Charis Lydia Bagioki
Photos by Charis Lydia Bagioki

If you know anything about heavy metal history, the name Geoff Tate doesn't need any introduction. The man’s legendary multi-octave voice wasn't just the sound of progressive metal pioneers Queensrÿche, it helped forge the blueprint for the whole genre throughout the 80s and 90s. At the absolute summit of that legacy sits 1988’s Operation: Mindcrime, a flawless masterpiece universally recognised as one of the greatest concept albums of all time. While Tate has kept the album alive on stage since parting ways with the band in 2012, this is The Final Chapter tour. The absolute last time to witness this album performed live in its entirety. 


The doors had barely opened before singer/songwriter James Keegan took to the stage. You’d think an early start would mean an empty room, but the floor was already packing out fast. On paper, a folky singer/songwriter opening for a gig like this sounds like a mismatch but in reality there’s a good reason Tate has kept this man on the road with him for two years. Keegan’s voice is natural and diverse, perfectly complimented by gorgeous acoustic guitar arrangements and great use of dynamics. He breezed through a short but sweet 30 minute set and won over a room of metalheads in the process.



With barely time to catch our breath, XIII Doors hit the stage and instantly raised the volume and intensity by bringing the heavy, riff-driven energy the crowd was craving. Frontman, lead guitarist and bandleader DJ O’Sullivan led the four-piece through a tight and controlled set, showcasing their debut album that they released last year. The band take clear metal, grunge and alternative rock influences and have blended them into their own take on heavy metal, complete with singalong choruses, driving drum grooves and virtuosic solos. The crowd absolutely devoured it and O’Sullivan even kept the audience engaged between songs by channeling his inner Freddie Mercury.



By the time the house lights dimmed once again, the venue was packed, sweaty and full of anticipation. The iconic intro tape of “I Remember Now” began to play while the band made their way onto the stage before they burst straight into the album, with Geoff Tate emerging from the curtains once the instrumental intros had finished. Tate’s unique and unmistakable voice was as impressive as it was the day he recorded the album but his delivery wasn't just a vocal performance. He lived the narrative, telling the album's dark storyline with drama and theatrics. The crowd responded in kind, singing back so ferociously that they regularly drowned out the venue’s PA system, especially when it came to the heavy hitters of "I Don’t Believe in Love" and "Eyes of a Stranger" at the end of the album. 


Bringing a creative masterpiece like Mindcrime to life requires serious skill and Tate’s backing band were an absolute machine - three guitarists, keys and a wall of backing vocals sat alongside the drums and bass, all working together to replicate the album with note for note perfection. Despite the sheer scale of the band, the mix was pristine and every intricate riff and harmony was crystal clear. To round the night off, the band blasted through six more songs, mostly made up of staple Queensrÿche classics, culminating in an emotionally charged rendition of "Queen of the Reich." 


If this truly is the final chapter for Operation: Mindcrime live, Tate gave it the legendary send-off it deserved. But make no mistake: Geoff Tate is nowhere near done. While many of his 80s contemporaries have seen their voices fade, Geoff Tate remains an anomaly. He hit every terrifying high note with the same power and clarity he possessed decades ago. He still has one of the greatest voices in metal history and when he next rolls into your town, make sure you don’t miss it. 



Review by Tom Potter

Photos by Charis Lydia Bagioki

bottom of page